♬♬ Well, you can have a dream... ♬♬
Cher: I'm majorly, totally, butt crazy in love with Josh.
Jono: Love can feel like magic...
...but most often those are moments.
The overall feeling is safety and respect.
Jack: I need to ask you a question.
Jono: A lovely film, you must approach it as fantasy,
because if you look at it through the lens of reality, it's scary as hell.
Josie: I remember everything that you say.
Alan: It's also stupid.
That's not how the world works, movie!
Wretched.
Jono: Hot ta--...
Alan: You've never been kissed and you get to go back to high school and try it all over again.
Except you have been kissed. None of this makes any sense! It's a lie!
Alan: Hello and welcome to Cinema Therapy.
I am Alan Seawright, a professional filmmaker who needs therapy.
I'm joined by my co-host...
Jono: Jonathan Decker, hopeless romantic.
Alan: It's Valentine's. Jono: Yay!
Alan: And so, in the spirit of love, we're going to ruthlessly rank... Jono: Oh, ok.
Alan: ...and decide what is good and what is bad.
I'm going to throw some classics at you from our childhood - 90s rom-com.
Jono: YEEEEES!
I was a weird teenage boy in the 90s who loved rom coms.
Alan: I was a normal teenage boy who tolerated rom coms,
Alan: ...because I could go to them with pretty girls. Jono: All right.
Alan: So, in no particular, but definitely alphabetical order,
we're going to look at...
Alan: Clueless. Jono: Ooh...
Alan: Never Been Kissed.
Jono: Nice... Not really.
Alan: Pretty Woman. Jono: Okay.
Alan: Sleepless in Seattle. Jono: Uh-huh.
Alan: And Whilst You Were Sleeping.
Jono: Why are you saying it that way?
Alan: I don't know why am I saying "what" what way.
Where do you get off?
Alan: You are going to rank them in terms of relationship quality...
Jono: So the worst to best.
Alan: Worst to best. Jono: Okay.
Alan: I am going to make snide remarks about the quality of the films. Jono: Okay.
Alan: Some of them are excellent. Jono: Yeah.
Alan: There will be just random commentary and asides.
Just rigamarole.
Jono: They've seen the show. Alan: Japes.
Jono: Number 5.
Alan: What's the worst relationship out of these?
Jono: Pretty Woman, by a wide mile.
Alan: It's not even close.
Jono: Actually, number four is almost as heinous. But here we go!
Alan: It's very bad.
Edward: I'm very sorry. I'm not happy with Stuckey at all for saying that or doing that,
but he is my attorney, I've known him for ten years.
Jono: His attorney called her a whore because Richard Gere called her a whore.
Alan: Well...
Vivian: You're my pimp now? You know, you think you can just...
Alan: Came on to her and was really gross.
Jono: "Can't pass me around to your friends. I'm not a toy".
Edward: I'm speaking to you. Come back here.
Jono: Oh, that's healthy.
Edward: I hate to point out the obvious, but you are, in fact, a hooker.
And you are my employee.
Vivian: You don't own me, I decide, Okay? I say "who", I say "when", I say "who"...
Edward: I refuse to spend...
Alan: Julia Roberts' bit of business there's so good.
Edward: That's the end of it.
Jono: "I said I was sorry. I meant it".
Vivian: I'm sorry I ever met you.
Jono: "That's the end of it. I'm talking to you. Come here". Vivian: I'm sorry I ever got in your stupid car.
Edward: As if you had so many more appealing options.
Jono: Oof!
Vivian: I've never had anyone make me feel as cheap as you did today.
Edward: Somehow I find that very hard to believe.
Jono: Man...
Why write such a mean fight into your romantic comedy?
Vivian: [gasps]
Jono: And so he does objectify her, and he does use her.
And it's, like, she likes him because he's rich,
and he's slightly nicer to her than a lot of the people she's had to deal with.
Alan: She likes him because this is the last gasp of the 1980s, and he's a rich dude and it's like...
Edward: I'm sorry, I wasn't prepared to answer questions about us.
Jono: So he said "I'm sorry" and that's good.
Edward: I was stupid and cruel.
I didn't mean it.
Jono: It's a pretty decent apology.
Edward: I don't want you to go.
Jono: And he's being vulnerable.
Vivian: Why?
Alan: Well, he's being as vulnerable as...
Edward: I saw you talking to David Morse.
Alan: ...Richard Gere gets in this.
Edward: I didn't like it.
Vivian: We were just talking.
Jono: I saw you talking to another man. I didn't like it. I'm jealous and possessive.
Edward: I didn't like it.
Jono: But I'm hot and I'm rich and so...
And he likes her because she's pretty and he can save her.
Jono: It's very much white knighting. Alan: Yeah.
Alan: I mean, literally at the end...
Jono: It's, yeah, it's White Knighting the Movie. Alan: Yes.
Vivian: You hurt me.
Edward: Yes.
Vivian: Don't do it again.
Jono: Okay, so here's why the movie is considered a classic.
In the scene not as much, because it's a conflicting scene.
This is a lovely little gesture. These two have electric chemistry as actors.
Alan: It is absolutely off the charts. They're both...
I mean, their chemistry together is dynamite and that is really what saves this movie.
Alan: It's glossy and flashy and fun and it's got good energy.
Jono: Saves it to a point.
Alan: It saves it as a watchable.
Jono: Yeah. It's very entertaining.
Alan: Very watchable and entertaining. Jono: Yeah. It is.
Alan: It is not a good relationship.
Jono: No. For the reasons that we enumerated.
My biggest issue with Pretty Woman is that he mistreats her time and time again.
And it's a story, ultimately, about a traumatized woman,
Jono: ...who falls in love with a man who keeps retraumatizing her. Alan: Yes.
Jono: He is not the initial source of her trauma. Alan: No.
Jono: But he keeps it going. Alan: Right.
Jono: And yes, of course, by the end he changes and he grows because of her.
I'm not saying there's not beautiful things about this story.
Alan: And it wraps up with a grand romantic gesture.
Which is a grand romantic gesture which looks really good on film. But in real life...
Jono: In real life, it's the slow and steady day in, day out. It's the little things that lead to...
Alan: Love is a commitment, not an action. Jono: Yeah.
Alan: Yeah. Jono: Yeah.
Alan: Oh, boy. Some of these couples could have really used some help.
Maybe from a couples therapist?
Jono: For sure. And that's where BetterHelp could have helped them.
Alan: This episode is sponsored by BetterHelp.
Jono: BetterHelp connects you with a licensed therapist who is trained to listen and give you helpful, unbiased advice.
Alan: Over 4 million people have used BetterHelp to start living a healthier, happier life.
Jono: To get started, go to BetterHelp.com/CinemaTherapy to fill out a questionnaire to assess your specific needs.
Alan: Then you'll get matched with a therapist. In most cases, in 48 hours or less.
Jono: BetterHelp has a network of over 30,000 therapists with a wide variety of expertise.
Alan: And they are committed to helping you find a therapist who's a good fit for you.
Jono: That's why you can easily switch to a new therapist at no additional cost.
if the one your first matched with isn't a good fit.
Alan: That's a really nice feature.
And you can also choose a time that's convenient for you for your therapy sessions.
Jono: And you can choose how you want to do your therapy sessions,
a phone call, a video chat, or even through messaging.
Alan: You've got mail. Whatever's the most comfortable for you.
But just not a radio call-in show or meeting at the top of the Empire State Building.
Jono: No. Not that. Alan: Yeah. No.
Jono: Not good for therapy.
Alan: You've got mail's better.
Jono: So if you think you might benefit from therapy,
click the link below or go to BetterHelp.com/CinemaTherapy
Alan: You'll get 10% off your first month of BetterHelp,
so you can connect with a therapist and see if it'll help you.
Like it helped me and my dog.
I have a dog therapist.
I don't.
Jono: Very unhealthy relationship, but at least it's entertaining.
Alan: Which I can't say for what I suspect is number 4.
Jono: Never Been Kissed?
Alan: This relationship is gross and the movie's bad. Jono: Yeah.
Alan: I also have problems with the lead actress, which we'll probably discuss a little bit.
But let's watch some clippy clips.
Jono: So she's an undercover reporter posing as a teenager,
and her male teacher has feelings for her.
What did he say?
Alan: Real great.
Josie: Thank you.
Jono: Sees her alone on the Ferris wheel.
He's like, I'm gonna go sit next to this teenage girl.
Which she's not, but he doesn't know that!
Alan: He doesn't know that.
Jono: And she knows he doesn't know that. And she's cool with him flirting with her.
Sam: Well, I'll tell you something here.
I hope this doesn't undermine my position as an authority figure. But...
Jono: Ewww.
Sam: I'm a little afraid of heights.
Josie: You're afraid of the Ferris wheel?
Sam: Well, actually, it's the, uh, plunging head first into the crowd part that kind of gets me.
Josie: Well, I bet if you had your Gordie Howe helmet on, you'd feel better.
Sam: Hey, you remember that story?
Josie: I remember everything that you say.
In your classroom...
Jono: Ugh.
Tommy: If the bucket's a rockin', don't come a kn-kn-kn-knockin'... Yeah! Yeah!
Jono: Boys...
Tommy: Mr. Coulson rocks my world!
Jono: That's accurate. That's high school.
Sam: I'd like to tell you that we all grow out of it.
It's a lie. Some of us will always be rattling cages.
Josie: Why do you do that?
Sam: I don't know.
Alan: Speak for all men, please.
Sam: You know what's scary is that when you get older, it's just...
It just gets more confusing. I mean...
You know Laura, my girlfriend you met at the club...
You know what, I shouldn't be talking about this stuff with you. I'm sorry.
Jono: I shouldn't open up about my love life to you.
Josie: It's nice to have someone to talk to.
Sam: Yeah. Same here.
Jono: Ah! The ick of the scene.
Sam: Well, all I can tell you is that when you're my age, guys will be lined up around the block for you.
Jono: Ah! Mm-mmm.
Josie: You have to say that because you're my teacher.
Jono: Wait wait wait wait...
Sam: Actually, I shouldn't say that because I'm your teacher.
Jono: [shudders in fear]
Jono: Yes!
Alan: To the movie's credit, Michael Vartan is playing, Oh, I'm in deep trouble here. Jono: Yeah.
Alan: Like, he is playing it that way.
Jono: This is the Police song Don't Stand So Close to Me as a romantic comedy.
Jono: Yay! That's wonderful.
The real issue is the movie's trying to sell this,
Well, they've got this irresistible draw to one another,
and they're destined to be together, and we just need to clear up this misunderstanding.
Alan: The real issue is Drew Barrymore has the acting talent of a foot.
Jono: Oh my gosh, strongly disagree. But let's hear it.
Alan: She is not a good actor.
Jono: She's a foot model actor?
Alan: I don't know. I don't know if her feet are pretty.
The thing is, she's not good.
Jono: I think she's charming. I've always liked her. But I do see where you're coming from.
Alan: I don't care for her personality and she can't act alone.
Jono: Okay...
Alan: It's... wretched.
Jono: Hot ta--...
Alan: I used to feel really bad about it because I was like, Sure, she was a lovely person.
And then she scabbed on the writers during the writers strike,
and now I'm like, Nah, I don't care. You're a bad person.
Alan: You're a bad person who's a bad actor.
Jono: Okay. Alan: The end.
Jono: Uh, back to the film. I...
Alan: I also don't think it's a good film.
Jono: No, I was watching... I'm like, I'm not laughing a lot.
I'm not feeling a lot of whimsy. The characters are all falling flat for me.
But yeah, the biggest, the biggest thing is...
And later at the prom, they're dancing together, you know, he sees her
and he asks her to dance because she's about to graduate
and he's asking her about college, and she says, I have something I want to tell you,
because she wants to come clean, that she's actually a reporter in her 20s.
And he looks at her all misty eyed, and he says...
Sam: There's something I want to tell you, too.
Jono: And I'm just... No.
Alan: It's just gross. It's just gross.
Jono: And then the whole scene at the end on the pitcher's mound.
Also, not a euphemism.
Alan: Stupid.
Jono: Well, no, it's manipulative. Like, she...
Alan: It's also stupid from a script and logistical perspective.
She wrote a column in one of two major papers in a city,
Alan: ...and just expects everyone in the world to have read it. Jono: Yeah.
Alan: And he's going to show up.
That's not how the world works, movie!
Jono: Well, it was the 90s. You had to get creative. You couldn't exactly send a text.
Alan: Mail it to him!
Jono: Yeah, not a fan.
Alan: Jono, what is this movie called?
Jono: Never Been Kissed.
Alan: Is it ever addressed in the movie whether or not Drew Barrymore has actually been [beeping] kissed?!
Jono: I don't think...
Alan: It is. And she has.
The movie is called Never Been Kissed.
The marketing was a girl who's never been kissed gets her second chance in high school.
And she has been kissed!
She says in a line of dialog,
Well, it's not like I've never been kissed.
Just never really kissed.
What the [beep]?
What the [beep] are you doing?
I hate everyone who marketed this movie, the people who wrote it.
You suck.
I am sorry.
I do not usually come down on movies.
Everyone tries. Everyone tries really hard.
Everyone poured their heart and souls into almost all the movies that got made.
But what the [beep] are you doing?
Do not sell me a lie.
Don't call it Never Been Kissed.
Or don't put that line of dialog in.
Or, even crazier, make it really about a girl who is so desperate for all of this male attention
because she literally has never had physical affection before.
Do that!
That's more compelling!
And then also don't cast Drew Barrymore.
Jono: Well, gentle viewer, happy Valentine's Day.
I mean, that really got out of hand fast.
Jono: This one's gonna hurt a little bit, folks.
Jono: Sleepless in Seattle. Alan: Oh...
Jono: Is a lovely film with wonderful performances, and you must approach it as fantasy,
because if you look at it through the lens of reality, it's scary as hell.
So she hears him on the radio, falls in love with his voice,
and feels compassion for his story.
Doesn't actually fall in love with his voice. Let me be clear.
Alan: She falls in infatuation.
Jono: Um... Alan: Kind of.
Jono: Stalks him. Alan: Sure.
Jono: Online, which was hard to do in 1993, but she manages.
And then she goes to Seattle.
Alan: And then in IRL, yeah.
Jono: Yeah. And peeks around corners at him.
Alan: Also, this is the first time they've met.
Jono: Yes. They've locked eyes twice when she was stalking him.
Alan: And where is this at, in the runtime of the movie?
Jono: This right here is at the very end of the movie.
Alan: It's the last scene.
And look, this is... this is charming. This is charming as hell.
Jono: Well, the actors really sell it.
Alan: Yeah. Meg Ryan and Tom Hanks are really good at this.
And that kid is great. He's super cute. Does a good job.
Sam: It's you.
Annie: It's me. Alan: The bears crushing it.
Sam: I saw you... in the street.
Jonah: Are you Annie?
Annie: Yes.
Jono: You wrote the letter.
Sam: You're Annie?
Jono: Saying, I want to give up my life for you because I heard you on a radio show.
Jonah: I'm Jonah.
This is my dad. His name is Sam.
Annie: Hi, Jonah.
Alan: She's currently, what? Engaged to worst Bill Pullman, which is still better than most people.
Jono: But not better than Tom Hanks.
No, but she broke it off with him before...
Alan: She did. She did break it off.
Jono: Right before this.
Annie: Hello, Howard.
Jono: Listen...
Immediate infatuation with 90s Meg Ryan is the appropriate response.
Oh yeah. Absolutely correct.
Sam: We better go.
Jono: But the movie is saying, this is love and they're going to go the distance.
Because they zinged. It's like Hotel Transylvania.
Sam: Shall we?
Jono: "Shall we?"
Okay, for those of you who are mad that we're saying what we're saying,
Jono: ...we've got some really good things to say about the film in a moment. Alan: Yeah.
Alan: I really enjoy this movie.
Alan: I just don't enjoy the relationship. Like, there's problems. Jono: The thing I love...
Jono: Yeah, there is. The thing I love most...
Alan: Those two.
Jono: Those two. And...
...every single...
Alan: All the needle drops are so good.
Jono: This is one of the greatest soundtracks ever.
Alan: Yeah, Nora Ephron knew how to do this.
I mean, the needle drops in You've Got Mail are maybe even better.
And here's a hot take...
You've Got Mail is better than this.
Jono: Uh, I agree. Alan: Yeah.
Jono: Here's a even hotter take.
Joe Versus the Volcano is better than them all.
Alan: Oh, that's not a hot take. That is just God's truth.
Put that in a stone and bring it down from the mountain.
Joe Versus the Volcano is the GOAT.
Jono: Of these two together.
The issue, as we were saying, is she doesn't know him.
Jono: She hasn't taken time to see if who she thinks he is matches up with her mental image of him. Alan: Right.
Jono: She's rushed into commitment.
Like, at the end they're holding hands and they're like, Let's go.
And then they're looking at each other like, Wow, the magic, right? I feel the magic.
Love can feel like magic, but most often those are moments.
Jono: The overall feeling is safety and respect. Alan: Yeah.
Jono: Right? That's love. And there's no way for them to establish...
He knows this woman, Annie, wrote them from across the country
saying, Hey, I listen to you on the radio.
This is one of hundreds of letters he received, by the way.
Jono: But basically it's, Can I be the new mom? That's basically the letter. Alan: Pretty much.
Jono: And the whole time she's saying, Is this crazy? I've got Bill Pullman.
Alan: And again, worst Bill Pullman is still best.
Alan: Like, it's Bill Pullman.
Jono: Yeah!
Men find me attractive.
Jono: And he's so good to her, right?
And there's a line in the movie that I really like.
Annie: Walter, I don't deserve you.
Walter: Nah, I wouldn't put it that way.
But, okay...
Alan: Yes, it's very good.
Jono: Because she is leaving what, I guess to her, is a safe and boring relationship.
Flew across the country and did, like, like George McFly.
Alan: Oh, yeah, like full peeping Tom stalking stuff.
Jono: Yeah.
So, yeah.
Alan: We, the audience, know that they are perfect for each other.
Jono: Because we've been spending all this time with them.
Alan: We've been spending all this time with them
and we see that they match up on, like, all these things.
Alan: There's a bunch of stuff that we, as the audience, know where they're compatible and they have no clue. Jono: Yeah.
Alan: They have no idea that any of this is going to work.
This could, could turn into a great relationship.
What we see in the movie is not that.
Jono: No, it's a grand romantic gesture.
Meet me at the top of the Empire State Building to see if our love is real.
What love?!
He doesn't even know what you look like!
But I think the movie's great.
Alan: I do think it's a really fun movie.
Jono: But at the end, I would love to see them see each other, feel an instant spark,
and him say, like, You want to get a coffee?
Alan: Should Megan and I write that movie?
Should we write the rom com where they don't meet until the very end but it actually works?
Do it.
Jono: If there's anything that goes together even better than Tom Hanks and Meg Ryan,
it's peanut butter chocolate!
You can get this popcorn along with the other.
Alan: So angry...
Jono: No, I'm excited. This is like a... Can you believe this goodness?!
Alan: I can't believe it.
Jono: Yeah, you can get our popcorn at our store.
Alan: It's got our faces and not our flavors.
Jono: Ewww! Why would you say that?!
Jono: Now we get on to.... Okay, this is my favorite film on the list.
While you were sleeping. Alan: Oh...
Alan: Because you could have gone either way on either one of those.
Jono: We've gone from worst Bill Pullman to best Bill Pullman.
Alan: This is best Bill Pullman. Yeah.
Jono: Yeah. So charming.
Alan: This is peak Pullman.
Priest: We are gathered here today to join...
Lucy: I object.
Saul: Oh, gee...
Priest: I-I didn't get to that part yet.
Jack: I would have to object, too.
Priest: What about you?
Peter: I'm thinking.
Ox: What the hell is going on?
Jono: Peter Boyle.
Lucy: I am in love with your son.
Ox: I know.
Lucy: Not that one.
That one...
Ox: Jack, what the hell did you do?
Lucy: He didn't do anything. He didn't do anything.
It was me. It was all me.
Um, Elsie, how are you doing? Are you doing okay?
Jono: The supporting cast is so great.
Lucy: Do you remember that day at the hospital?
Of course you remember that day at the hospital.
Well, um, there was a little mix up. Um...
I saw Peter get pushed onto the tracks, and I saved his life.
But when I got to the hospital, they wouldn't let me see him.
So, um, the... Someone told the doctor that I was his fiancée.
Only, um...
It's not true.
Jono: And she's been saying it has been for...
Lucy: I was never engaged to Peter.
Jono: ...for days or weeks at this point.
Jack: Why didn't you say something?
Lucy: Because I didn't know how to tell you.
We never even met until that day on the tracks and, um...
It's just when we were in the hospital room, everything happened so fast and...
I couldn't tell you the truth, and then...
I didn't want to tell you the truth because, um, truth was that...
I fell in love with you.
Ox: You fell in love with me?
Lucy: No. Yes. All of you.
Jono: Accountability kink activated.
Lucy: I went from being all alone to being a fiancée, a daughter,
a granddaughter, sister, and a friend.
I might have saved your life on the tracks that day, but you know what?
You really saved mine.
You allowed me to be a part of your family, and I haven't had that in a really long time.
Jono: Talk about...
Annie: And I just didn't want to let go of that.
Jono: ...somewhat schmaltzy writing saved by great acting.
Alan: Great acting. Turns out this Sandy Bullock's going to have a career, I think.
Annie: I'm very sorry.
Oh, um... And I'm very sorry about your carpet.
Peter: What about my carpet?
Ashley: Peter Callaghan is engaged to me. I object to this wedding.
Priest: Get in line.
Jono: So, While You Were Sleeping performs a really neat feat.
Romantic comedies, generally speaking, need some sort of gimmick.
Alan: What's the catch? Oh, it's this because this has happened.
Jono: Yeah, some sort of out there plot, you know, like, one of my favorite ones is...
Alan: Like, you've never been kissed and you get to go back to high school and try it all over again.
Except you have been kissed. None of this makes any sense. It's a lie!
Jono: Okay... Alan: Anyway. Like that.
Jono: Okay. Yes. Like that. Some sort of gimmick.
And on the face of it, this is a movie about a woman
who lies to all these people the entire time.
Jono: And in a less skillfully written film... Alan: Yep.
Jono: ...she would be an unethical person.
Alan: It gets awfully close.
There's a couple of times where it almost bumps me, like, This isn't plausible.
But they managed to just barely save it with like, script Band-Aids and really good acting.
Jono: Well, And so, like, she wasn't the one who said I'm the fiancée.
But the family was so excited.
And then it was like, Grandma can't take any more bad news,
or aunt whoever can't take more bad news.
Alan: They keep stacking all these people. Yeah
Jono: If you tell the truth, people could die. You know?
Alan: They keep stacking all these things up.
And she already has such bad social anxiety that it's like, I kinda buy it.
Jono: But what I really love about the romance in this film...
Jono: ...is that she falls in love with Bill Pullman, as you do. Alan: Of course.
Jono: But they maintain their integrity throughout, right?
Jono: Circumstantially, stuff keeps bringing them together when they're trying to keep their distance. Alan: Right.
Jono: Because they feel this pull. And it's like... For him, it's wrong.
Jono: This is my brother's fiancée. Alan: Yeah.
Jono: And for her, she's like, I'm already in deep enough. Alan: Right.
Jono: And so a lot of films try to sell the...
but there's this irresistible pull that they have towards one another,
consequences be damned.
And instead of that, it's like,
there's this irresistible pull they have towards each other,
but they're both mindful.
Alan: They keep pushing against it.
Jono: Yeah. And they're mindful of the consequences
Jono: ...and the other people in their life that they care about. Alan: Yes.
Jono: And I also love that she falls in love with Jack,
Jono: ...but she falls in love with the entire family. Alan: Yeah.
Jono: It's beautiful.
Jono: They don't even get together until it's all cleared up. Alan: Right.
Jono: My only issue as far as, like, real life is when they get together, it's when he gives her a ring.
Alan: Yeah, that's a little...
Jono: He goes instead of, Hey, my brother's awake. You guys aren't together.
Jono: Do you want to go get a bite? Right? Alan: Right.
Jono: Instead, he's just like, Let's get married.
Alan: Let's get married immediately.
Jono: And again, I don't care because I'm swept up in it
and I love the feeling of it.
But this is one of the reasons we go to movies - to escape reality.
So just like James Bond can literally outrun machine gun fire,
Jono: I'm not going to try that in real life. Alan: No.
Jono: You don't jump straight to engagement.
But I love... I love this movie. This is my favorite of the movies.
So, number 1, I would put the relationship in Clueless,
and no one was more surprised than me.
I'd never seen this film. I wrote it off as stupid 90s teen movie.
Which 90s teen movie I didn't even like in the 90s when I was a teen,
I never cared for the genre, so I never saw this and I thought it was delightful.
Alan: It's great. It's such a good movie.
Cher: What does she want with Josh anyway?
He dresses funny. He listens to complaint rock.
He's not even cute...
In a conventional way.
I mean, he's just like this slug who hangs around the house all the time.
♬♬ Don't wanna be... ♬♬
Alan: He's just Paul Rudd all the time. He's just adorable.
Jono: He's... such a dork.
Cher: Wait a second, what am I stressing about. This is, like, Josh.
Okay, okay... So he's kind of a Baldwin.
Jono: Like...
Cher: What would he want with Ty, she couldn't make him happy.
Josh needs someone with imagination. Someone to take care of him.
Someone to laugh at his jokes in case he ever makes any.
Then suddenly...
Oh my God... I love Josh!
I'm majorly, totally, butt crazy in love with Josh!
But now I don't know how to act around him.
I mean, ordinarily I'd strut around him in my cutest little outfits
and send myself flowers and candy, but I couldn't do that stuff with Josh.
Josh: What's with you?
Cher: What do you mean?
Alan: What's with you? You're eating plain shredded wheat.
Josh: ...me watch the real world.
Cher: I care about the news.
Josh: Since when?
Cher: Since now.
The News: ...retaliation for recent government successes in central Bosnia.
Josh: You look confused.
Cher: Well, uh, I thought they declared peace in the Middle East.
Alan: Bosnia is not in the Middle East.
That's the joke.
Jono: What I really like about her relationship with Josh, who is her former step brother.
Why I put this relationship at the top is, at least on her end,
Jono: he inspires her to be a better person just by being him. Alan: Yes.
Jono: We did an episode on Jane Austen's Emma recently and having watched that movie,
I now realize how closely this follows. All the story beats are Emma.
But it's about somebody who becomes a better person
just from the influence of a person she's falling in love with.
And it's not about changing for the other person, it's about growing. Right?
There'sdifference between fundamentally changing who you are,
Jono: ...and growing into a version of you that was always in there. Alan: Yes.
Jono: And I think that's really beautiful and healthy.
And also Paul Rudd.
Like, you can throw Bill Pullman at me and I'll just counter with Paul Rudd and we can do that all day.
60% of the time it works every time.
Alan: The exception I would make here,
I do think Clueless is a more entertaining film than While You Were Sleeping.
That's up to taste pretty much at this point.
Jono: And I'm the reverse. Yeah. They're both...
Alan: They're both excellent films.
I would probably rank While You Were Sleeping as a slightly healthier relationship,
just because there's not the ex step brother...
Alan: The slight ick factor there. Jono: Yeah.
Alan: And also the potential, you know, statutory factor of he's 18 or 19. She's 16. Jono: Yeah.
Alan: It's not the worst thing in the world, but it's... [grumbles]
Jono: They just got to keep their hands above the equator for a few years.
Alan: Ooooh...
He's out of line. But he's right.
Alan: Now I have concerns of an entirely other nature.
But no, the real concern, though, is, um, he makes her better.
Alan: She doesn't seem to have a heck of a lot of influence on him.
Jono: Yeah. Alan: Maybe a little bit.
Alan: She gets him to loosen up and be a little more fun, maybe...
Jono: We see why she falls in love with him,
but why he falls in love with her is just like... she's attractive.
Yeah, I can see that.
Because in While You Were Sleeping you really get.
Alan: You get a two sided relationship.
Jono: Well, what they like and respect about each other.
Okay, I might have to rethink this whole damn thing. Happy Valentine's day.
Alan: Hey, listen, it's about feelings. And you felt.
Alan: Your feelings are not wrong. Jono: Okay.
Alan: I mean, they are, but...
I've just proved it. Logically.
Jono: Thanks, Spock.
What did you think of my rankings of these couples? Would you stagger them differently?
And what is a healthier relationship: While You Were Sleeping or Clueless?
And what's a better movie: While You Were Sleeping or Clueless?
And do you strongly disagree with anything we said?
Alan: Why do you hate my take on Never Been Kissed?
And if you're Drew Barrymore's PR team, we're just going to block you.
Jono: Barrymites unite!
Alan: So, until next time...
Jono: Then it happened.
I fell in love with you.
Alan: Fell in love with me?
Jono: Y--... All of you.
Alan: Aww...
Internet Dads: And... watch movies.
Jono: We want to thank our Patrons for sharing the love and supporting this channel. Folks like...
Alan: Nathan Guzman.
Jono: BillyBumbler1-- BillyBumbler19. I love it.
Alan: Amazing name.
Alan: Stephen. Also clever.
Jono: Yep, that's a new one.
Jono: Shontae Taylor
Alan: And Sylvia Sammon-Burns.
Jono: It's hyphenated.
Alan: It is hyphenated. And it's not like the fish.
Like she didn't just, like, cook a salmon and burn it.
Jono: We love you all.
Alan: Thanks, Sylvia.