So this is something I have not shown on my channel yet,
so you're seeing it for the first time.
It's 26,000 square feet.
That one has the big boy toys in it.
- This whole thing?
I'm not doing that.
There's a line I have.
- Everything that I've been doing
for like the last five or six years
have been leading up to this.
Every single brand deal, every single video that I've made,
this is what it's all building up to.
- [Gerald] Thanks to Amaran for sponsoring this video.
Well, we're back doing another studio tour, and today,
I don't know if this looks familiar to anybody,
there's a lot of junk on the table,
but we are in JerryRigEverything's studio.
- That is me. - Say hi.
You got a hot spot on your head there
when you walked past that light.
- The lighting, it's a very interesting setup.
I think you'll enjoy it.
- Interesting is a complementary term from what,
but you know what?
I'm probably gonna make fun of it quite a bit, but it works.
- It does. - Evidently it works,
the channel does well, I like your content
and so that's my disclaimer to however mean I'm about to be
to your beloved Zack over here.
I admit that it works well and you do a good job.
- Thank you. - Okay.
Now let the roasting begin. - Let's do it.
- And of course we've got Patrick Tomasso
operating the mobile camera today.
What are you running today, Patrick? FX30 again?
- [Patrick] FX30 with 10-20mm as always.
- You've got two cameras and then two monitors,
I think this is a smart way to do it.
So top one is obviously for the overhead
and then down here we can see what's going on.
These displays, do they just sort of just,
any kind of random old display or whatever.
- This one's probably like 15 years old
and this one's probably six years old.
But yeah, just anything I can get my hands on.
- Now you might run into issues with these
if you try to shoot in 24 frames per second
because old monitors don't accept like,
you know, film frame rates.
But it looks like that's not a problem
for Mr. 59.94
60p video over here.
- Everything is 60 frames.
So I have a Panasonic GH6,
5K60 frames a second.
Just gives me the most data to work with
when I'm like zooming in on really small parts.
- Were you at 60 before you got the GH6?
- I was. - GH5 at 60.
- GH5 and GH4 were always 4K60.
- Alright, I don't think you really gave me a good answer.
You just said you like 60, but that's fine.
- I just, bigger numbers are better and 60 is more than 24.
- He's not wrong.
I thought you were gonna tell me something
like, well when I film screens at 60,
the refresh rate matches up better and.
- No. - Your screens don't even work
by the time you're working with em.
(both laughing)
- They're not on long enough for me to work.
- When I film screens.
What were you working on here? Toothbrush?
- So that is a gold plate that you just hit
with a pen is a gold-plated toothbrush.
(both laughing)
And I took it apart.
- [Patrick] That's $8,000.
(all laughing)
- I'll send you an invoice.
- So thanks for that.
I was taking it apart and then obviously E Ink displays-
- Oh wow!
- Are freaking sick. Isn't that awesome?
- It's dense.
- So this is another E Ink display
that is actually still on since E Ink is never actually off,
which is cool.
When I start a new project I kind
of just like take the project
and scooch it off onto the edge of the table
and then put my new project in the center.
- It seems like you're going for sort
of a don't spend more than you have to kind of vibe. Right?
- If it gets the job done
then it doesn't need to be expensive.
And that's kind of been the vibe ever since I started.
Like if these, these lights up here,
these were probably 15 bucks on Amazon
and I bought 'em like seven years ago.
- The lights are something I want to talk about.
- All right.
- But okay, that's a GH6
and is this one-- oh so two GH6s now.
- Yep. - That makes it easier
if you match your cameras obviously.
- [Zack] Yep.
- And then this one, what's this lens, Patrick?
It's a Lumix. Do you know off the top of your head?
- [Patrick] 7-14mm.
- 7-14mm.
- You just said what he said. (all laughing)
I don't know, I honestly don't know what it is.
- [Patrick] Nice and wide.
- Is it 18 to 35?
- [Patrick] That is an 18 to 35.
- On a speed booster?
- Honestly, I don't know what any of those words mean.
I just know that looks good at the end of the day.
- Do you ever zoom it though? - [Zack] I do all the time.
- Ooh, the zoom on 18-35 for like a 15-year-old lens.
It's pretty smooth. - Yeah.
- It's a pretty smooth zoom. - Yeah.
- Can't fault it for a classic except for
that it's mounted to an upside down tripod.
- [Zack] Yeah. Which actually.
- [Gerald] With the DeWalt clamp.
(all laughing)
- So this stripped out which like clamps it together.
So now I just have the DeWalt clamp that I,
I just have to, every time I stand up I have
to make sure I don't whack my head on that.
You haven't seen the coolest feature yet.
So to keep the desk pristine,
this is a piece of paper and I have a roll.
- Applebee's or whatever isn't? Draw on it with crayons.
- Exactly, exactly.
And I have a roll of paper on the other side
so every time it gets scratched up
or messed up I can just extend the paper out
and I have a brand new white desk.
- It's a hospital bed.
Is that what you-
- [Zack] Basically, yeah.
- So tell me about this like truss you have here.
This looks like this is heavy duty.
- Yeah, so I knew when I,
'cause previously I had it mounted to the ceiling,
but this ceiling's a little bit higher than my old studio.
- Right. - And I've been
in this space for about five years.
And so I wanted something that was super rigid
'cause there's like those arm boomy things
with the camera on the end.
They just wiggle around all the time.
And so I can't like adjust focus
and wait for it to stop wiggling.
So I got this DJ Scaffold for 500 bucks on Amazon.
- [Gerald] Oh it's a DJ Scaffold.
- And then barn door rails that I got at Home Depot
and then just tripod up into the rail
and so I can slide this left
and right to get the shot I want.
- And you put a little safety on the end
so you can't like you can't exceed it.
- Yeah. - It's actually pretty clever.
I'll give it to you.
- Yeah, thank you. - Like I guess it's
in the channel name though, right?
- Right. "JerryRigEverything."
And then these are on Monopods.
- We don't have to reveal what's on it,
but is this notes or a script or something?
- Yeah, so this was for basically when I'm sitting
here in this chair, print out my notes,
put it next to the light, kind of like memorize
what I'm gonna say, say it to the camera,
get the next point, say it to the camera.
So there's a lot of editing after the fact.
- Sure. - But at least
I am able to make a coherent video at the end of the day.
- How long would you say that you roll
for on average for one of your videos?
- Mm. - Where you have to, you know,
go back and forth from the notes and stuff?
- If I'm doing a tear down with like an ad at the beginning
or whatever is probably like 30 minutes
of talking to that camera.
And then the actual tear down process is anywhere,
probably like an hour or so.
Have a post-it note where I like take notes
and stuff of things I want to say.
And then when I go write the script
after I'm done, that's when I put everything together.
- The tear down is already edited down
to a shorter duration.
And then you voice over the, the edited version, I presume.
- Not even that. I just scroll through the footage
and then make my script and then edit them both together.
- Oh cool.
- [Zack] I do have this fire extinguisher bomb
right here that.
- [Gerald] I don't work for the safety department.
You realize that? - I'm just saying.
(Gerald laughing)
So if there ever is a fire
that like expand, like, like ignites a fuse and it explodes
and puts powder everywhere.
So it's like a fire extinguishing system automatic.
- I don't think you have to worry
about anything causing a fire on here
with these cheap lights you're using.
Actually or maybe, maybe you should be worried.
Maybe we need more fire extinguishers
'cause they are on main's power
and you're running a ring light too.
- Yeah. - For I guess
this is your key light.
I don't know what light is what,
it like, the setup is like they're
in like a hexagon around you or the.
- The one thing I do wish I had,
and I don't know what light this would be.
So this gold toothbrush for example, I'm holding it.
- Yeah. - But there's no light coming
from the top. - Yeah.
- And so the gold looks dark.
So if I had like a white illuminated surface above me
that would make the gold look better.
Sometimes I hold up a piece of paper
and to like get the reflection to be a white.
Does that make any sense?
Am I making sense? - That makes perfect sense.
You're using a bounce.
- I need a bounce light.
- No, I'm saying the paper is a bounce.
- I need, I need to.
- But we'll give you, yeah,
like you could, there's lots of things you could do.
Amaran has these tubes like T4Cs, T2Cs.
We could put tube lights up here.
You guys should have two lights.
They have the, what's that one?
The F22 which is like a light mat.
It's like a big panel. - Yeah.
- So you could just like have a big panel up here, control.
- But then would the camera cast a shadow?
- It would, but look at this.
You got these, you could run it,
you could have this could be this whole space
right here on either side of the camera could be panels
like a one big panel of that.
You could have like this soft box.
It just goes right here on this side of the camera
and then one right here on this side of the camera.
And you could run them real low.
- You're onto something. - Real low power.
And then from edge you wouldn't have these shadows.
A couple P60Cs there hitting the wall
and they're full color.
So one day you weren't feeling gray, you're feeling orange.
You know what I mean? (Zack laughing)
It's limitless.
Editor Gerald here back in my home studio to once again
thank Amaran for sponsoring these studio tours
and to let you know a little more about the new direction
of the Amaran brand, including the launch
of the new website: amarancreators.com.
Amaran understands the challenges content creators face
and are focusing their efforts on innovating
and expanding their ecosystem beyond just lighting
to best serve the needs of the creator.
Part of this new direction is that new website,
amarancreators.com.
So head on over there to learn more
about the products I mentioned in this video
and check out the new commercial while you're there.
Alright, Amaran, activate party mode.
Thanks for listening. Now back to the tour.
You were talking about editing
and voiceover and all that other kinda stuff.
Do you do everything on your own? Do you have an editor?
- So I have an editor.
- Yeah. - But he just,
he has lived in Texas for like the last six.
He's a friend from high school,
so I've known him for like my whole life.
But he's been living in Texas, just working remotely.
We just send files back and forth, proxy files
and then he gets it like 80% of the way done
and then I just polish it off and post it.
- I'm obsessed with this as a guitar player myself.
There's a channel called: Burls Art.
Shout out to a channel that clearly we both must like.
- [Zack] Yeah. - [Gerald] Guy makes guitars
outta just whatever suits his fancy.
- Yeah. And it looks so good.
- They do. This is a pencil crayon one that he made
and I saw when I was watching like the,
yeah, the end of the video.
He is like, and we'll put it up for auction,
whoever wants it.
And then I found out this guy bought it
and I was like, hey, I know that guitar.
- [Zack] Yep. Yep.
- [Gerald] Oh, so this is your voiceover setup?
- [Zack] Yeah, so I have a $60 Samson Meteor Mic.
This is same one I've been using for like seven years.
- There's a part of me that wants to make a joke that says,
can't you take any of this Ridge money or dbrand money,
whatever, and get a better mic?
But also I have to respect the fact that we've done a lot
of studio tours where it's like I can see people spend
a lot of money on stuff.
"If it get," go ahead. Say the line.
- "Gets the job done."
(Gerald laughing)
- What are we editing on here by the way?
Super wide.
I don't think I've seen the screen this wide before.
What is going on here?
- [Zack] Yeah, so I love this screen because like I can.
- This man loves his timeline.
- [Zack] Yeah. When I-
- [Gerald] You can see the whole video.
- When I edit with Premiere, the whole timeline is up.
But like if I'm just using a web browser
or something like that,
I can like lock it to one side of the screen.
- Sure. - So I usually have
like my notes, my research
and then the whole video timeline here.
- And that's easy to do with just Windows key,
arrow to the right.
When you're using Windows, am I right?
I see we got a Windows user in here. Every tour,
what do we always see Patrick?
Oh I got the Mac studio with the vision display.
- No, I got this whole setup
for less than the price of a MacBook.
- What are we rocking down here?
Did you build the PC or are you in a PC building?
- [Zack] I have built them in the past,
but this one I just bought.
- Are you into PC cleaning though?
Because that is a travesty right there.
I don't know what that is, but.
- [Zack] Dang it.
- I'm gonna take points off of that dusty PC.
Looks like you have some kind of system here for.
- [Zack] Organizing, yeah. Video projects.
All these are formatted.
- That's fast and loose man.
See if you accidentally like put it down
and it gives a bounce.
Then you're playing fast and loose with that.
- Here's the thing though, no one else is in here but me.
And if I sneeze, I aim it somewhere
where it's not gonna move the SD cards.
- Except one sneeze and they all fly over.
Audience, do you agree?
This is recklessly close between go ahead
and format and shoot and edit this project.
'cause you know there's a big important brand deal on there
and it probably hasn't hit the NAS yet.
- It hasn't failed me yet.
It hasn't failed me yet.
- One sneeze away from your channel being over.
(both laughing)
- Whatever.
All my footage that I've ever shot is on that NAS.
- Footage too? Not just the,
so you don't just keep the keepers, you.
- I keep a hundred percent
of all the everything I've ever shot.
- Why? Every time I hear somebody say this,
I'm gonna ask you a question.
Have you ever pulled up a 2021 clip of you something
and put it into a new video
that wasn't available on the finished video
that you could have just taken from that?
- No, you haven't. - No.
(both laughing)
But it's peace of mind.
It's nice having redundancy like we talked
about earlier with the microphones.
- Oh, it's redundant alright.
- Yeah.
(all laughing)
- This is a motherboard from a Pac-Man video game.
- [Gerald] Oh sweet! - [Zack] Like an arcade game.
So that's kind of fun.
- If we judge the age of this based on dust,
it looks like it's from the same era as your PC over there.
My man's got a Blacktail Studio hammer.
- You know your YouTube channels?
- I think we're watching the same stuff.
- Yeah, a hundred percent.
- Coming soon, probably like mid-July.
We're gonna fly out and-
- [Zack] Dude, legit.
- [Gerald] Do Cam's Studio. Have you met him?
- Not in person. He doesn't know this yet,
but I want to collab with him.
To make a table. - He doesn't realize
that he's gonna make that giant epoxy table.
- Yeah, the one of those $20,000 tables.
Yeah, he's gonna make it for me.
- Do you want it like walnut and epoxy
or something like that?
- I wanted to make it some like wheelchair--
We'll get into this in a minute,
but like I want it to make it somewhere
like themed for the factory.
- That's cool.
- So this Hummer project took me like two years to build,
took like 90 kilowatt hours of Tesla batteries
and threw 'em in the back seats.
Took an electric motor out of an airplane tug
and made a military Humvee that is fully electric.
I don't think most studios have one of these in them.
- Yep, pretty good.
That's a big hole in the ground you got there.
- [Zack] It's giant.
- [Gerald] All right, what else you got?
(both laughing)
Got it.
- Yeah, I'm not.
See this whole thing?
I'm not doing that.
There's a line I have.
There's no hazard pay.
(Gerald laughing)
If you get an elevator I'll come down.
- [Gerald] We're on our own down here.
- Yeah, the elevator's coming soon.
Hopefully within two weeks.
So, but the interesting thing,
since we're so far below ground,
we're about 20 feet down right now.
It was about 15 degrees warmer underground than it is
above ground during the winter.
So it's gonna be fully furnished like an RV.
So we're gonna have a master bedroom,
we're gonna have bunk bedrooms,
we're gonna have a 100-inch TV right here that kind
of separates the sleeping area with like the kitchen.
Kitchen on this side
and then like couches and stuff over here
and then we have like an EcoFlow RV battery system
that we're gonna power the whole thing with.
Basically we can run wires
and outlets just like a house would.
A combustible toilet that combusts any toilet stuff.
(Gerald laughing)
- So I do have a question. So I watched that whole series.
I think I already said I loved it.
I, if you guys have, if you guys are somehow new,
the "JerryRigEverything" these series,
we're talking about: the Humvee one.
The Bunker. They're great.
They're really good.
Good watching. - Thanks.
- But I was joking around when I was watching 'em at home.
I was like, so this guy had to make this
into a six part series 'cause this is an expensive project
and you know you got to do some brand deals.
You were also selling dirt and like all kinds of stuff.
Right? - Yeah, yeah. That was fun.
- Trying to generate some revenue.
Did you cover the cost of the bunker?
- A hundred percent. Yeah.
And made quite a bit more actually.
So it's. - Oh really?
- Yeah, the whole thing was to make money.
'cause we have a lot of other projects going
on with my Not A Wheelchair business.
- Okay. We've seen this name a hundred times.
I could see it right out the window.
Tell me about this Not A Wheelchair.
- So basically I met this girl six years ago, give or take.
- He did it all for a woman.
- And I did it all for a woman and I really liked her.
She's been in a wheelchair since she was 18.
And I realized very, very, very quickly,
like first date quickly
that wheelchairs are ridiculously expensive
and off-road wheelchairs are non-existent. And so-
- How much do wheelchairs cost? Like five grand?
- Wheelchairs are five grand.
Like the actual manual wheelchairs that you push around
and then off-road wheelchairs were like 20 grand
and I'm not gonna drop that on our first date.
But we were able to design our own
and manufacture it for less than $5,000.
And then now we're building out a whole factory
to make the manual wheelchairs at 20% the cost
of the rest of the industry.
So it's gonna be, it's gonna be great.
Do you wanna see it?
- The factory? - Yeah.
- Alright.
- This building right now is about 20 minutes away from,
you know, our studio that we filmed earlier.
And I guess this building is more of the research
and development for our Not A Wheelchair project,
which is kind of a contradiction
because we actually make wheelchairs now.
- Yeah. Why did you call it Not A Wheelchair?
- Because eventually, 'cause we weren't making wheelchairs,
we're making like this off-road thing that,
'cause we don't want to be associated
with the wheelchair industry
'cause it's just, they cost so much and it's so hard to get
and so hard to repair.
We want to separate ourselves from them.
- Gotcha. - This one we were able
to manufacture from bike parts and it only costs $5,000,
which is a whole lot cheaper than anything else
out there at the moment.
But as we started manufacturing this
and selling it, we realized
that wheelchairs are also astronomically expensive.
Like the wheelchair that my wife uses is $5,000
and the materials for that chair are like,
you know, hundreds of dollars and it's,
it just makes no sense.
- That's just a wheelchair like this.
- Right? It's not- - Right, the pushing ones.
- Yeah, okay.
- And so we decided to make our own wheelchairs
and so that's what this building has been
for the past two years.
Research and development for that.
And we've got some, some pretty big toys
that the YouTube channel has helped fund.
- Really cool and noble where instead of, you know,
you spend any money on some pretty, pretty rad
which I really admire.
- These are our durability testing machines.
And so right now Oren is hooking up.
We call this guy Greg, where's his top half?
- [Oren] Right here.
- So basically it's a 250 pound metal human replacement.
- [Gerald] Okay.
- And it just sits in this chair
as it gets dropped 7,000 times with the drop test machine.
And then these rollers over here, what is this one?
Like 200,000 rotations? - [Oren] 200,000.
- The entire wheelchair gets dropped
or the metal plate gets dropped onto the chair?
- The entire wheelchair, the whole thing.
- Oh wow.
- And so this, these tests basically put the wheelchair
through five years worth of abuse within just a couple days.
- Is that the average lifespan
of a wheelchair is five years?
- Five years give or take. It's just an arbitrary number
that it would be good if it lasted for five years.
- Yeah. - And so
that's the abuse we put it through
because basically we wanna make a super inexpensive,
durable product that people can use for a really long time.
This is.
- [Gerald] What the hell is that?
(both laughing)
- So this is something I have not shown on my channel yet.
So you're seeing it for the first time.
- Oh we got the exclusive.
- Yeah. So our off-road wheelchairs are really good
but they- - If you need to go to war.
- If you need to go to war, you need something
with like extra traction like a track chair--
You just can't compete with that.
Plus this one can be operated
by a joystick which like expands the potential audience size
for it 'cause like not everyone has the use
of their fingers.
- Oh okay.
- Or the strength to like steer
and so having a joystick operated contraption so we should,
I'll make a video about this on my channel
in probably like two or three months.
So you get the first look.
- Nice.
And if you get some of your other wheelchairs stuck,
then you bring in the tracked wheelchair
to pull 'em all out. Right?
- Exactly. - Yeah.
- We imagine like farmers
and like you know people who are live way out in the boonies
or like Canada or something like that-
- Totally. - Work out really well for us.
- Wait, did you call Canada the boonies?
(Zack laughing)
I resent the implication.
- And then this is also something we have not released yet.
This is a four wheel drive version of what you saw earlier.
There's a hub motor in each tire
and like this thing has more than 4,000 watts worth
of power at any given time.
Can tow 300 pounds 20 miles.
It's a very capable machine.
We have a FabLight laser which is used
to like cut out all the metal.
So like this trailer you see here,
all was cut with the FabLight.
The Fume Dog gets rid of like the harmful contaminants
from the laser 'cause you don't wanna breathe
in the aluminum dust kind of kills you over time.
15L Slant-PRO Lathe from Tormach.
We have the 1100 from Tormach as well
and like we make a lot of our parts like casters
and wheelchairs and camber tubes and stuff like that.
A little bit away from the camera studio setup.
- That's why I put my clipboard away.
- Yeah, yeah.
- Because there's nothing in here for me to have any,
you know, I don't like the way you got your
Tormach set up, you know.
- This building we bought two years ago
and it's about 5,000 square feet
and then we are moving to a new building in about two
and a half months, which is 26,000 square feet.
And that one has the big boy toys in it.
Now we are in the third building.
I dunno what's the best segue to this.
What did we say the last?
- We don't need a segue. - What's the last thing?
We don't need a segue? Okay.
We're here randomly in a new spot.
(Gerald laughing)
Everything that I've been doing for like the last five
or six years have been leading up to this.
Every single brand deal, every single video that I've made,
this is what it's all building up to.
So this is our new space that we're building out right now.
This is gonna be a showroom for the,
our new Not A Wheelchair building.
We have like a conference room over here.
Glass walls going down in between these two areas.
The cool machines though are over here.
This is another conference room
where all the engineers are gonna sit
and then come out here for a second.
This right here is a 26,000 square foot wheelchair
manufacturing facility where we'll be able
to have metal come in one side
and wheelchairs leaving the other side
and finishing wheelchairs in just a couple hours.
Where now if someone orders a wheelchair it takes
like six months.
Lemme show you some of the machines that we're gonna be
and if you have any questions.
- Just it's bigger than I was expecting.
(Zack laughing)
We were in the other space- - I hear that a lot.
- That other space seemed like reasonable.
So when you said there was a bigger air,
a bigger space, I thought.
- Yeah. - Okay.
It'd be a little bit bigger.
You know, this is massive.
This is a Walmart or whatever.
(both laughing)
- The Walmart of wheelchair manufacturing, which is good.
Low price wheelchairs. That's what we're coming in at.
So this machine right here costs around $460,000.
It's a Herber 350
left right multi-stack bending machine.
- [Narrator] It's produced by the modial interaction
of magneto reluctance and capacitive diractance.
- This head right here can flip left and right pinch metal
and kind of like pull it through a die to shape it
in whatever, you know, bend radius we're going for.
But it also has something inside called a mandrel.
'cause like if you take, let me do this piece
of drywall right here.
If you try to bend a, like a a metal rod,
it'll just kind of snap.
But if you have a mandrel inside,
it kind of like fills the tube as you're bending it so
that it doesn't kink along its bend radius.
And so this has like, it's able to bend the outside
and the inside of the metal at the same time,
which is why it's so expensive, but it's also super fast.
Which 'cause it's gonna make wheelchair manufacturing
a lot easier.
- Do you know, you could tell that Zack got really excited?
He stopped talking to me in the tour
and now he just like is so excited
to tell people about this thing
because he is just locked into the camera now.
- Right. - And everything
else around him is gone.
That's, this is a crazy machine though man.
- It's so cool. I mean it took us a minute
to pull the trigger on it.
'cause 400 and freaking sixty thousand dollars is a lot of money.
- I bet you gotta bet that purchase a little bit, eh?
- Yeah. And so this right here is a Laguna laser.
I think it's about four kilowatts.
It's able to cut through half inch aluminum plate.
- Oh, you want me the Laguna, eh? Yeah.
- Yeah, the Laguna.
- Gotta go with the Laguna. Yeah.
- Laguna makes some pretty awesome tools.
- Look how far we've come.
Hey fam, we went from asking Potato Jet what kind
of color paper he's using in his backdrops
to Zack telling us he's got Laguna lasers in his space
for his two hour express wheelchair manufacturing depot,
or whatever you're working on here.
- Yeah. - It's pretty crazy man.
- The reason my LED lights- - You're YouTuber, right?
That's what this is. - Yeah, yeah. YouTuber.
- Just some regular YouTuber stuff? Okay.
- But I save money by buying $7 LED lights so
that I can spend it on half million dollar metal benders.
- I take, I take everything back.
- There we go.
- Your early system makes sense.
I didn't see the forest for the trees
with the $7 lights, you know what I mean?
(beeps)
- Basically everything that JerryRig does--
(air whooshing)
(beeps)
I mean, elephants are really cool.
(beeps)
- Well, Cam, this is the first time I've actually held your,
I've actually held your hammer and it's-
- Who's the real fan, who actually bought one?
- This is the first time I ever held Cam's hammer.
- Wow. I thought we were trying to not get it flagged
on YouTube. (beeps)
- This is the door-- the door's right here.
Yeah? Okay. (Zack clapping)
- That is a door. Good job, man.
(beeps)
- You gimme, gimme a 180 on that and taking this
and putting it on the 40-40
and then flipping that for the, you know,
putting the reverse transmuter in there, I think.
- Awesome. - Yeah just.
Yeah just...
Oh, that looks good. Yeah.
I think that'll make a big difference.
You're welcome, Zack.
- All right. That solved us a lot of issues.
And or created more.
(beeps)
- Can you imagine if you weren't,
you weren't building it out, you're just like,
everything I've ever done has led up to this.
(both laughing)
Just this is it. - [Zack] This is it.
- And I'm pretty, I'm pretty happy with it.
I think this is- - Yeah. It's finished.
(beeps)
If I shoot everything myself,
why does anyone else need to know where my stuff is at?
- Because it's, it's for me.
Clearly. - He doesn't have
an answer to this.
(beeps)
- Editor Gerald here.
Ignore everything I just said. Cut this out.
- Right on. Right on. (Gerald laughing)